If there is a single savior of Celtic music, Alan Stivell is probably it. Since the end of the 1960s, he has done more to revive interest in the Celtic (specifically Breton) harp than anyone in the world and, in the process, almost singlehandedly made the world aware of native Breton Celtic music. Since 1971, he has been recording albums of extraordinary beauty and diversity, ranging from ancient Breton and Irish material to modern folk-rock and progressive rock. He was born Alan Cochevelou, the son of a harp maker. His father was the rediscoverer of the Breton harp, but he started his musical life on a somewhat more conventional instrument, taking up the piano at age five. He was given a harp by his father at age nine, and studied for the next several years under the direction of his father and Miss D. Megevand, a concert harpist, freely mixing classical repertory and arrangements of Breton, English, Irish, Scottish, and Welsh folk material.
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