Texas always seemed out of place, from the moment they released their debut til the time they hit the big-time with White on Blonde in the second half of the '90s. They may have been able to gain momentum from Britpop, but they didn't really belong; their sensibility was far too soulful and classy, borrowing equally from the smooth soul of the '70s, Americana fascinations, and, in a roundabout way, the sophisti-pop of the '80s. Still, they were professional, stylish, and, thanks to Sharleen Spiteri, sexy, which meant they did make sense in the aftermath of Britpop, even if they were a bit out of step. As the splendid Greatest Hits proves, they could even have made it into the American mainstream if they had received a push on adult alternative pop/rock radio, since they were melodic, classy, and solid. They never were groundbreaking, but they were professionals, and even if this hits collection has a couple of run-of-the-mill cuts, at its best — "Say What You Want," "Black Eyed Boy," "In Our Lifetime" — it's as good as mainstream post-alternative adult pop gets. For European listeners, certainly a snapshot of the times, and for Americans, this is a good way to get acquainted with a minor treasure.
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