The Sex Pistols - Kiss This: The Best of the Sex Pistols [1992]


The Sex Pistols may have only been together for two years in the late '70s, but they changed the face of popular music. Through their raw, nihilistic singles and violent performances, the band revolutionized the idea of what rock & roll could be. In England, the group was considered dangerous to the very fabric of society and was banned across the country; in America, they didn't have the same impact, but countless bands in both countries were inspired by the sheer sonic force of their music, while countless others were inspired by their independent, do-it-yourself ethics. Even if they didn't release any singles by themselves, there was an implicit independence in the way they played their music and handled their career. The band gave birth to the massive independent music underground in England and America that would soon include bands that didn't have a direct musical connection to the Sex Pistols' initial three-minute blasts of rage, but couldn't have existed without those singles. Guitarist Steve Jones and drummer Paul Cook were regulars at a boutique owned by their manager, Malcolm McLaren; bassist Glen Matlock worked at the store. Vocalist John Lydon, who would later perform under the name Johnny Rotten, met the rest of the group at the shop and was asked to join the band. While the band played simple rock & roll loudly and abrasively, Rotten arrogantly sang of anarchy, abortion, violence, fascism, and apathy; without Rotten, the band wouldn't have been threatening to England's government — he provided the band's conceptual direction, calculated to be as confrontational and threatening as possible. The publicity caused by their caustic first single "Anarchy in the U.K." caused the band to be dropped by their record label, EMI. Matlock was fired before their next single "God Save the Queen," which was released on Virgin; it was banned by the BBC. Matlock's replacement was Sid Vicious, a tough street kid who, unlike the rest of the band, couldn't play his instrument.After releasing one album in 1977, the band headed over to the U.S. for a tour in January of 1978; it lasted 14 days. Rotten left the band after their show at San Francisco's Winterland Ballroom on January 14, heading back to New York; he would form Public Image Limited later that year. McLaren tried to continue the band but Cook and Jones soon turned against him. In the two decades following the Sex Pistols' implosion, an endless stream of outtakes, demos, repackagings, and live shows were released on a variety of labels, which only helped their cult grow. In 1996, to celebrate their impending twentieth anniversary, the Sex Pistols reunited, with original bassist Glen Matlock taking the place of the deceased Sid Vicious. The band embarked on an international tour in June of 1996, releasing the Filthy Lucre Live album the following month. Four years later, Julien Temple (who helmed the band's first movie, The Great Rock & Roll Swindle) directed the documentary film The Filth & the Fury.

The Sex Pistols - Kiss This: The Best of the Sex Pistols [1992]


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Ramin Djawadi - Prison Break - OST [2007]

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Kaki King - Everybody Loves You [2003]


Simply put, Kaki King possesses the most original voice on the acoustic guitar in a generation. Her sound, full of gorgeous tapped melodies and popping basslines, is as deeply emotional as John Fahey's, as technically savvy as Preston Reed's, and as energetic as Leo Kottke's (à la 6- and 12-String Guitar, Greenhouse, and Mudlark). Citing these legendary players is not for the sake of comparison in style or approach, but in metaphor only for she sounds only like herself. King's thumb over the neck and simultaneous double-handed melody line playing is a muscular approach to the instrument to be sure, but in her melodies. harmonic runs and basslines become checkpoints to the musical cosmos; they are complex, indescribable emotional pathways to the heart as well as the mind. There is no "math" in her playing. She goes too far inside the musical labyrinth for that and speaks like a guitarist whose virtuosity lies not only in her technique — which is truly and literally stunning — but in her "singing" voice on the instrument. King is a songwriter for the guitar — and not like Michael Hedges either. This is the music of luminous motion, where trains, planets, and constellations meet at some interstitial point; where earth and sky kiss lustily. For every workout like "Close Your Eyes & You'll Burst Into Flames," where time signatures blur under percussive roils and thumping subharmonies, there are nearly pastoral vistas like "Joi." The manner of counterpoint used in the title track would make most flamenco guitarists jealous for the way it continually moves further into itself and adds body and dimension to the ground of its assertion. The intimate masterwork here is the closer, "Fortuna," where shape-shifting genres and guitar styles weave through and around one another to offer a meditation on love, grace, and the willingness to speak instrumentally and vocally of deeper unspecified truths, secret histories, forceful desires, and chimerical states of being before slipping out the back door with intimate, tender, smart-assed humor. If this seems like an unspecific way to tell about this song, it is; here is music so heartbroken, so gloriously individual and fathomless, one can only venture how knotted the heartworm highways of its origin are. Everybody Loves You is the most auspicious, tender, and tough instrumental debut by any guitarist in a decade at least. It is singular in approach and peerless in execution; and in its poetic, raggedly graceful manner, it is simply a treasure of individuality and idiosyncratic virtuosity, visceral truth, and verve.

Kaki King - Everybody Loves You [2003]

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Morphine - Yes [1995]

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The Animals - Retrospective [2004]

For those who have suffered through not so great to just plain terrible compilations (including some of those old LPs with almost unrecognizable versions of the old Animals standards) there is finally a compilation that you can trust, and is well done, plus pretty comprehensive. Most of the debate has been on the early songs, and "We've Gotta Get Out Of This Place" in particular. This IS the US version of that song (with the lyric "My Little Girl You're So Young and Pretty"). All of the other early singles check out pretty much right in line with the times on the original MGM label 45 rpm records, with one (good) exception: "House of the Rising Sun." This CD is an ABKCO release, and they also re-released most (if not all) of the early Animals 45's sometime in the 70's or 80's on light blue abkco labels. "House of the Rising Sun" came back there as the UK single version (4:18) with the long organ solo and ending intact (House also charted two additional times in the UK in 1972 and 1982). The original US MGM single (K13264) and radio play version chopped out most of the organ solo plus faded out the end before the final verse for a total time of 2:58. The playing time of 'House' on this CD is 4:31 (the song is exact, the 45 rpm disc just tracks 13 seconds faster). I think most fans prefer the "full length" version as presented here, but for the adamant (US) original singles collector, you now know. I'm not as familiar with the Eric Burdon & War era singles (except to note that "Sky Pilot" is the full 7 minute version, and for the 45 single, the song was split into part 1 on one side and part 2 on the other), so hopefully someone else will comment on that. This is a great collection, get it and enjoy!

The Animals - Retrospective [2004]
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Birdman/Lil Wayne - Like Father, Like Son [2006]


Cash Money's rise and fall has been talked to death, but it's important to note that the 2006 collaboration between Birdman (Cash Money CEO) and Lil Wayne (Birdman's "surrogate son" and Cash Money's president) lands while the label is on the upswing. Critically, they're doing better than ever, respected in a way they weren't back when they had Juvenile and Mannie Fresh. The biggest reason of all is Lil Wayne's Tha Carter 2, so Birdman bumps him up to president and suddenly the rapper who was evolving with more complex lyrics, strange vocal rhythms, and risky production choices is creative director of the label that used be the down-low dirty-dirty. Like Father, Like Son is a celebration of Wayne and Cash Money's success, a testament to the allegiance the two feel toward each other, and most likely a way for Birdman to set Wayne on the right path as label boss. When it came to singles, Tha Carter 2 stalled after the leadoff "Fireman," so it's no big surprise this album is filled with hooks, infectious beats, and that trunk-rumbling weekend music Cash Money was built on. Synthesized horns blast out "Stuntin' Like My Daddy"'s triumphant melody, while the instantly gripping "Know What I'm Doing" works because it's keep-it-simple-stupid swagger music like the Big Tymers used to kick. Birdman might be reinforcing what Cash Money was built on, but he's well aware of his boy's talent and gives the freedom-craving, forward-looking baller adequate room to roam. The woozy "Leather So Soft" had to be Wayne's idea, "Army Gunz" features one of his most broken deliveries yet, and on the title track he offers, "I'll put you niggas in the closet in the shirt space/Niggas yellow like Sesame Street's Bert face." Production comes primarily from TMIX — the UGK-sampling "1st Key" is his masterwork — although Scott Storch stops by for the so-so "You Ain't Know," a great argument the beat-maker is spread too thin in his prolific 2006. The mix of familiar and strange is fascinating, the team-up feels like family, and at 20 tracks long, the album doesn't wear out its welcome. There's probably too much get money/stack-paper for those who want Wayne to speak on the injustices New Orleans has suffered post-Katrina, or to get to work on Tha Carter 3, but that's not what Like Father, Like Son is about. This is the sure sound of Cash Money steadying the ship and getting back on course.
Birdman/Lil Wayne - Like Father, Like Son [2006]

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The Hives-3 Albums

The Hives performing live at the Eurockéennes 2007
The Hives are a rock band from Fagersta, Sweden that first rose to prominence in the early 2000s as a leading group of the garage rock revival. Their breakthrough came with the release of the "best-of" compilation Your New Favourite Band, featuring their most commercially successful song "Hate to Say I Told You So". The band produces punk-influenced garage rock songs and wear matching black and white suits.
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Taylor Swift - Taylor Swift (Deluxe Edition)

Taylor Swift - Taylor Swift (Deluxe Edition)Taylor Swift - Taylor Swift (Deluxe Edition) (November 6, 2007)

1 Tim McGraw
2 Picture To Burn
3 Teardrops On My Guitar
4 A Place In This World
5 Cold As You
6 The Outside
7 Tied Together With A Smile
8 Stay Beautiful
9 Should've Said No
10 Mary's Song (Oh My My My)
11 Our Song
12 I'm Only Me When I'm With You (Bonus Track)
13 Invisible (Bonus Track)
14 A Perfectly Good Heart (Bonus Track)
15. Taylor's 1st Phone Call With Tim McGraw (Bonus Track)

DL: Taylor Swift (Deluxe Edition)

Deluxe Edition (Bonus Tracks Only)
12 I'm Only Me When I'm With You
13 Invisible
14 A Perfectly Good Heart
15. Taylor's 1st Phone Call With Tim McGraw

DL Link 1: Deluxe Edition (Bonus Tracks Only)
DL Link 2: Deluxe Edition (Bonus Tracks Only)
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OST-Transformers 2007


01. Linkin Park - What I’ve Done
02. Smashing Pumpkins - Doomsday Clock
03. Disturbed - This Moment
04. Goo Goo Dolls - Before It’s Too Late
05. The Used - Pretty Handsome Awkward
06. HIM - Passion’s Killing Floor
07. Taking Back Sunday - What’s It Feel Like To Be A Ghost?
08. Styles Of Beyond Feat. Mike Shinoda - Second To None
09. Armor For Sleep - End Of The World
10. Idiot Pilot - Retina And The Sky
11. Julien-K - Technical Difficulties
12 .Mutemath - Transformers Theme
Transformers 2007
Or
www.uploading.com/files/SSTCRLT3/OST___Transformers__2007__by_Steve_Jablonsky.rar.html
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The Flower Pot Men - Let's Go To San Francisco

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George Thorogood & the Destroyers - The Best of

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Doobie Brothers - Long Train Runnin': 1970-2000


01. Nobody
02. Slippery St. Paul
03. Listen To The Music
04. Rockin' Down The Highway
05. Toulouse Street
06. Cottonmouth
07. Jesus Is Just Alright
08. White Sun
09. Natural Thing
10. Long Train Runnin'
11. China Grove
12. Dark Eyed Cajun Woman
13. Clear As The Driven Snow
14. South City Midnight Lady
15. You Just Can't Stop It
16. Spirit
17. Pursuit On 53rd St.
18. Black Water
19. Eyes Of Silver
20. Down In The Track
21. Another Park, Another Sunday
22. Sweet Maxine
23. Neal's Fandango
24. Music Man
25. Slack Key Soquel Rag
26. Take Me In Your Arms
27. Texas Lullaby
28. I Cheat The Hangman
29. Wheels Of Fortune
30. Losin' End
31. Takin' It To The Streets
32. It Keeps You Runnin'
33. Echoes Of Love
34. Nothin' But A Heartache
35. Chinatown
36. There's A Light
37. Little Darling
38. You Belong To Me
39. Open Your Eyes
40. Minute By Minute
41. Dependin' On You
42. Don't Stop To Watch The Wheels
43. What A Fool Believes
44. Here To Love You
45. Dedicate This Heart
46. Real Love
47. No Stoppin' Us Now
48. One Step Closer
49. Keep This Train A-Rollin'
50. South Bay Strut
51. One By One
52. Wynken, Blynken And Nod
53. The Doctor
54. South Of Border
55. Time Is Here And Gone
56. Need A Little Taste Of Love
57. Dangerous
58. Excited
59. This Train I'm On
60. Rollin'on
61. Little Bitty Pretty One
62. Daughters Of The Sea
63. Armadillo Death Chant
64. Osborne
65. Four Days Gone
66. Spiel
67. Lovin' My Way Back Home
68. Pat's Song
69. Blue Jay
70. Peace In The Valley
71. Mambo Waltz
72. Outside Of Barstow
73. Argentine Grape
74. Shuffle
75. Takin' It To The Streets
76. We Would Sail Away
77. Jesus Is Just Alright
78. Olana

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OST - Juno

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Meat Loaf - Very Best of

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James Last - Very Best of

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Bianca Ryan

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